Preamble: Investigations Leading to Curiosity About the Autopoesis of Song and Dance - and Their Importance For Creative Thought and Communication of Cultureġ For 50 years I have been enthralled by the spontaneous elegance and complexity of movements of infants, and how they respond with interest and pleasure to rituals of play, including cultivated musical creations. This is an important change for science of awareness with emotion, one which finds antecedents in aesthetics and phenomenological and moral philosophy, and that has importance for theory and practice in education and psychotherapy. They guide the representative powers of language to describe and store the conventional beliefs and explanations of culture. Human playfulness is a special animal vitality that seeks to compose imaginative projects of awareness into artful narratives, give feelings of messages in song and dance to even the most practical tasks. Inherent “musical” powers of life with an inner sense of time drive our consciousness of being. In half a century, micro-analysis with the aid of film and television, of how infants move their many parts with grace and intelligence from birth, especially how a baby displays and directs their movements to “attune” with the movements of the mother as a human companion, so that intentions, interests and feelings may be shared, has led psychologists to change their idea of the nature of the mind. Elle a également une grande importance pour la théorie et la pratique dans l’enseignement et dans la psychothérapie. Cela représente une transformation importante pour la science de la conscience émotionnelle, transformation qui a des antécédents dans l’esthétique et dans la philosophie phénoménologique et morale. Ces forces conduisent les pouvoirs représentatifs du langage à décrire et à enregistrer les croyances et les explications culturelles conventionnelles. La joie de jouer, chez l’être humain, relève d’une vitalité animale particulière, qui cherche à créer des projets narratifs artistiques, et qui cherche à communiquer le sentiment d’un message aux activités même les plus pratiques, à travers le chant et la danse. Les forces vitales « musicales », manifestant un sens intime du temps, guide notre conscience d’être. Ces micro-analyses ont conduit les psychologues à réviser l’idée qu’ils se faisaient de la nature de l’esprit. Unlike most ballroom dances, which tend to use the music as a metronome to guide the dance, Lindy Hop, West Coast swing, Argentine Tango, for example, view matching your dancing to the spirit and mood of the music as the highest goal achievable.Pendant un demi-siècle, le cinéma et la télévision ont permis d’effectuer des micro-analyses portant sur la manière dont les nourrissons meuvent les différentes parties de leur corps avec grâce et intelligence dès la naissance, et ont permis en particulier de constater la façon dont un bébé dirige ses mouvements pour les « accorder » aux mouvements de sa mère, en tant que compagnon humain, de sorte que ses intentions, intérêts et sentiments soient partagés. This is the key characteristic of improvised dancing. Beginner dancers usually think they should step on the beats of the music, and may vary the size of their movements with the volume of the music, while more advanced dancers dance to the melody, variations of rhythm, and mood. Musicality may also refer to fitting a dance to the music being played, with the goal of relating the dance to the music's rhythm, melody, and mood. One usually differentiates between two types of musicality: To be able to perceive music and to be able to reproduce music as well as creating music. The word also refers to the quality or state of being musical A musical person has the ability to perceive differences in pitch, rhythm and harmonies. Musicality is a noun that means sensitivity to, knowledge of, or talent for music. Freebase (0.00 / 0 votes) Rate this definition:
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